auto-didact.

A reblogging blog. NSFW content. Things will be tagged where appropriate.

Marry your best friend. I do not say that lightly. Really, truly find the strongest, happiest friendship in the person you fall in love with. Someone who speaks highly of you. Someone you can laugh with. The kind of laughs that make your belly ache, and your nose snort. The embarrassing, earnest, healing kind of laughs. Wit is important. Life is too short not to love someone who lets you be a fool with them. Make sure they are somebody who lets you cry, too. Despair will come. Find someone that you want to be there with you through those times. Most importantly, marry the one that makes passion, love, and madness combine and course through you. A love that will never dilute - even when the waters get deep, and dark.

N’tima (via mariaarroyo)
Reblogged from mariaarroyo

You can kiss somebody’s spouse and get away with it. You can kiss a member of the same sex with near impunity. You can give an incestuous kiss on the sly. You can tongue kiss a dog or exchange raptures with lab rats. But you can’t kiss death without death kissing you back. Death is a passionate kisser. I bite your lips, chew your tongue, leave a little taste of blood in your mouth as a portent of things to come. If I were to kiss you between the legs, you’d see a little blood there too and think that your period had come early. But it wouldn’t be your menses, lover. It would be your ruination, a death’s head with your clitoris in its mouth.
Death is mad about you. Death loves you. Do you love me too? I’m not needy, but I enjoy intimacy — especially with you, darling. Go ahead. Slip your face into mine. I like to feel your warm lips in my inert visage. I like to feel your eyelashes tickling my empty old sockets. One day I’ll slip my face into yours too, and then we’ll experience another sort of intimacy. I’ll be inside you, like a lover. I’ll kiss you from the inside, and it will feel like catching a chill. You’ll get goose bumps up your thighs and shivers down your spine. I’ll whisk you to my wormy bed and we’ll lie there nestled in each other’s arms, or at least so long as you have arms. And even then, when you are hideous dust, I will remain true. I am death and when I love you, it’s forever.

“Confessions of a Skull Mask” - Necrophilia Variations by Supervert (via fuckingbiteme)

art-of-swords:

Sword-Catching Parrying Dagger

  • Dated: 1600
  • Culture: Italian

This unusual fencing dagger demonstrates the way in which the artistic qualities of a weapon could be influenced by the practical concerns of the swordsman. The Renaissance duel was usually fought with rapier and dagger. The rapier, as the main weapon of attack, was complemented by a parrying dagger held in the left hand, used primarily for defensive movements.

However, by 1600 fighting with the rapier alone was becoming the latest fashion. The opposing blade could still be parried or beaten away with the left hand. The free left also allowed the duellist to grab hold of his enemy’s swordblade, temporarily immobilising it to expose him to a lethal counter-thrust.  

This distinctive fencing weapon is designed to provide the blade-grabbing ability of the free left hand, while retaining the dagger for defensive action. The arrow-like barbs allowed a sword blade to enter the ‘jaw’ of the dagger, but made it difficult to free it again. With his weapon ensnared, the enemy was exposed, if only for an instant.

The practical challenges of creating such a specialised weapon were considerable. The hardened and tempered steel blade had to be carefully cut with the series of dramatically barbed teeth, a laborious process. The spaces between the teeth have been elegantly filed with ornamental edges, while the base of the blade has been finely etched and gilt- an unusual feature, even for high-quality weapons. In this way, despite its very specific function as a fighting tool, the weapon’s artistic merit is evident.

Source & Copyright: The Wallace Collection

amandaonwriting:

Bloodstain Pattern Analysis (BPA) - Resource for Crime Writers

SOURCE

Reblogged from Amanda Patterson
Reblogged from DSF
boxer-briefed:

Batter up

boxer-briefed:

Batter up

edmundcorcoran:

throat to the stars; a collection of songs for the studies of ancient greek: for the sleepless nights, the epic heroes, the lovers of plato and followers of augustus; for the drinkers of whiskey and wine; for the initiates of dionysus and the pursuers of ancient frenzies; for languid days in a rowboat, for postcards from rome; for silencing the friend who could not hold his tongue. 

it’s a very greek idea, and a very profound one. beauty is terror. whatever we call beautiful, we quiver before. and what could be more terrifying and beautiful, to souls like the greeks or our own, than to lose control completely? to throw off the chains of being for an instant, to shatter the accident of our mortal selves? euripides speaks of the maenads: head thrown back, throat to the stars, “more like deer than human being.”
{listen} {download}
i. greek song; rufus wainwright | ii. the role of the hero in antiquity; commander venus | iii. lakefront property; austronautalis | iv. the lost art of keeping a secret; queens of the stone age | v. a good idea at the time; ok go | vi. devil’s spoke; laura marling | vii. between the bars; elliot smith | viii. j’ai deuz amours; joséphine baker 

edmundcorcoran:

throat to the stars; a collection of songs for the studies of ancient greek: for the sleepless nights, the epic heroes, the lovers of plato and followers of augustus; for the drinkers of whiskey and wine; for the initiates of dionysus and the pursuers of ancient frenzies; for languid days in a rowboat, for postcards from rome; for silencing the friend who could not hold his tongue.

it’s a very greek idea, and a very profound one. beauty is terror. whatever we call beautiful, we quiver before. and what could be more terrifying and beautiful, to souls like the greeks or our own, than to lose control completely? to throw off the chains of being for an instant, to shatter the accident of our mortal selves? euripides speaks of the maenads: head thrown back, throat to the stars, “more like deer than human being.”

{listen} {download}

i. greek song; rufus wainwright | ii. the role of the hero in antiquity; commander venus | iii. lakefront property; austronautalis | iv. the lost art of keeping a secret; queens of the stone age | v. a good idea at the time; ok go | vi. devil’s spoke; laura marling | vii. between the bars; elliot smith | viii. j’ai deuz amours; joséphine baker 

Reblogged from there will be blood

purrloiner:

I was bored so I redrew all of OFF’s opening, it’s long

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animeds7:

yes… yes, of course. thank you, google.

animeds7:

yes… yes, of course. thank you, google.

(Source: disregardtheitalics)

Reblogged from plz send n00dz

Dante’s Inferno: a guide to hell

Dante’s Inferno: a guide to hell

(Source: corrino)

artchipel:

Olivier Ratsi ⎪ on Tumblr - Sanyo
2nd PARIS ART CONNECTÉ EXHIBITION | {TRANS}FORMED VISIONS > Thursday May 16, join us for an exceptional meetup to discover 5 artists connected on Tumblr! > RSVP Meetup

[Tumblr Monday with SHAG]

artchipel:

Olivier Ratsion Tumblr - Sanyo

2nd PARIS ART CONNECTÉ EXHIBITION | {TRANS}FORMED VISIONS > Thursday May 16, join us for an exceptional meetup to discover 5 artists connected on Tumblr! > RSVP Meetup

digitaljourney:

What teachers make.

Reblogged from digitaljourney
pauledaniels:

She Captures My Imagination
©2013 Paul E. Daniels
pauledaniels.com | facebook | Instagram | music blog

pauledaniels:

She Captures My Imagination

©2013 Paul E. Daniels

pauledaniels.com | facebook | Instagram | music blog