auto-didact.

A reblogging blog. NSFW content. Things will be tagged where appropriate.
deflare:

teal-deer:

legacy-blog:

tsisqua:

thiefoworld:

Cihuamiztontli by =SaiyaGina

I love the inclusion of modern technology into the scene. It’s wonderful.

Yes, this is exactly what I’m trying to do with secret project number one.
Yes, perfect. Good.


sudden flashbacks to Everworld 

This is a thing that I’ve been dwelling on: the alternative development of aesthetics.
The short and sweet version is that we tend to associate certain patterns of clothing, decoration, and ritual with different kinds of behavior. It’s a worldwide thing, and mostly unconscious. Men around the world wear European suits when they’re doing business, unless they have a particular reason not to. Facial tattoos are for ‘primitive’ tribes and members of Western countercultures. Essentially the same furniture and building styles are seen throughout the wealthy parts of the world, and showing the different methods used by other cultures is meant to show how primitive they are.
This is all, of course, horseshit. Art, fashion, motifs—they’re all just the window-dressing of a culture, and say little about how advanced or worthwhile it is. The prevalence of European styles in architecture and clothing isn’t because they’re just better than the rest of the world’s styles, it’s because European culturally brutalized the rest of the world and other cultures had to change to blend in.
What if things had turned out differently? What if some culture had stood as another example of what could be? What if more and more advanced technology had been molded into those alternate aesthetics? What might the world have seen?
(Slightly tangentally: This is why I’m okay with Zecora in MLP. Her aesthetic is indicative that there are cultures in that world that haven’t been homogenized by imperialism. That seems like an excellent thing.)

deflare:

teal-deer:

legacy-blog:

tsisqua:

thiefoworld:

Cihuamiztontli by =SaiyaGina

I love the inclusion of modern technology into the scene. It’s wonderful.

Yes, this is exactly what I’m trying to do with secret project number one.

Yes, perfect. Good.

sudden flashbacks to Everworld 

This is a thing that I’ve been dwelling on: the alternative development of aesthetics.

The short and sweet version is that we tend to associate certain patterns of clothing, decoration, and ritual with different kinds of behavior. It’s a worldwide thing, and mostly unconscious. Men around the world wear European suits when they’re doing business, unless they have a particular reason not to. Facial tattoos are for ‘primitive’ tribes and members of Western countercultures. Essentially the same furniture and building styles are seen throughout the wealthy parts of the world, and showing the different methods used by other cultures is meant to show how primitive they are.

This is all, of course, horseshit. Art, fashion, motifs—they’re all just the window-dressing of a culture, and say little about how advanced or worthwhile it is. The prevalence of European styles in architecture and clothing isn’t because they’re just better than the rest of the world’s styles, it’s because European culturally brutalized the rest of the world and other cultures had to change to blend in.

What if things had turned out differently? What if some culture had stood as another example of what could be? What if more and more advanced technology had been molded into those alternate aesthetics? What might the world have seen?

(Slightly tangentally: This is why I’m okay with Zecora in MLP. Her aesthetic is indicative that there are cultures in that world that haven’t been homogenized by imperialism. That seems like an excellent thing.)

(Source: digitallydelicious)

Reblogged from
ceryneian-hind:


“O royal Hera, of majestic mien, aerial-formed, divine, Zeus’ blessed queen, throned in the bosom of cerulean air, the race of mortals is thy constant care. The cooling gales they power alone inspires, which nourish life, which every life desires. Mother of showers and winds, from thee alone, producing all things, mortal life is known: all natures share thy temperament divine, and universal sway alone is thine, with sounding blasts of wind, the swelling sea and rolling rivers roar when shook by thee. Come, blessed Goddess, famed almighty queen, with aspect kind, rejoicing and serene.”
-Orphic Hymn 16 to Hera

[Classic Mythology: Hera by HanieMohd]

ceryneian-hind:

“O royal Hera, of majestic mien, aerial-formed, divine, Zeus’ blessed queen, throned in the bosom of cerulean air, the race of mortals is thy constant care. The cooling gales they power alone inspires, which nourish life, which every life desires. Mother of showers and winds, from thee alone, producing all things, mortal life is known: all natures share thy temperament divine, and universal sway alone is thine, with sounding blasts of wind, the swelling sea and rolling rivers roar when shook by thee. Come, blessed Goddess, famed almighty queen, with aspect kind, rejoicing and serene.”

-Orphic Hymn 16 to Hera

[Classic Mythology: Hera by HanieMohd]

Reblogged from elaphoi khrysokeroi
rebel6:

by Godmachine
Reblogged from THINK LESS!!
visual-poetry:

»paint it black« by martijn sandberg

visual-poetry:

»paint it black« by martijn sandberg

Reblogged from Visual-Poetry

losthitsu:

Suits tutorial - translation

Reblogged from The Lost Sheep
gunnerromantic:

saturday doodlin’ 

gunnerromantic:

saturday doodlin’ 

Reblogged from [ N ]

The Painted Room, Old Royal Naval College, Greenwich — single-handedly painted by one man over the course of 19 years

The Painted Room, Old Royal Naval College, Greenwich — single-handedly painted by one man over the course of 19 years

(Source: sav3mys0ul)

joanielemercier:

Paper, tape, light.Video projection onto origami.

joanielemercier:

Paper, tape, light.
Video projection onto origami.

Reblogged from Joanie Lemercier

bendoverboy:

gingerscouthearts:

jeiwalking:

here is about half of my final if it works it’s HUGE

AAAAAAAAAAAAAAAAAAAAA

Wow this is friggin amazing!

darksilenceinsuburbia:

Kako . White Fang, 2008.

Client: Editora Scipione - Brazil

Description:
Illustrations and cover of Jack London’s classic White Fang, published in Brazil by Scipione. The story takes place in Yukon Territory, during the Klondike Gold Rush at the end of the 19th-century, and details a wild wolfdog’s journey to domestication. Some illustrations were published over the years in books such as Communication Arts Illustration Annual 50, Taschen’s Illustration Now 3 and with my interview for Communication Arts Advertising Annual 51 PROFILE section

Reblogged from Live Fast Live Free

comicpotentials:

excess-0:

actegratuit:

Creatures of the Mechazoic Era,

Chase Black

This is cool multiplied by about a billion.

10 billion more like it!

Reblogged from This is a thing.
sunfoundation:

Every Day of My Life

Every Day of My Life is a visualization of my computer usage statistics from the last 2.5 years. Each line represents one day and each colorful block is the most foreground app running at the given moment. Black areas are periods when my computer is not turned on. Seeping patterns (or lack of them) and time of holidays and travel (longer gaps) can be therefore easily identified.

sunfoundation:

Every Day of My Life

Every Day of My Life is a visualization of my computer usage statistics from the last 2.5 years. Each line represents one day and each colorful block is the most foreground app running at the given moment. Black areas are periods when my computer is not turned on. Seeping patterns (or lack of them) and time of holidays and travel (longer gaps) can be therefore easily identified.

Reblogged from Dataviz by Sunlight
moshita:

winged horse of the apocalypse
Victoria Taylor

moshita:

winged horse of the apocalypse

Victoria Taylor

(Source: moshita)

Reblogged from Live Fast Live Free
fyodorpavlov:

Now little Hans was always strangeWearing women’s underthingsHis father beat him but he wouldn’t changeHe ran off with a man one dayNow his lingerie is all the rageIn the black on every pageHis father proudly calls his nameDown there in the Reeperbahn.
One day I will illustrate every single one of Tom Waits’ perfect, perfect songs. 

fyodorpavlov:

Now little Hans was always strange
Wearing women’s underthings
His father beat him but he wouldn’t change
He ran off with a man one day
Now his lingerie is all the rage
In the black on every page
His father proudly calls his name
Down there in the Reeperbahn.

One day I will illustrate every single one of Tom Waits’ perfect, perfect songs. 

Reblogged from Handmade Handgun